Unexpected Productions auditioned about seventy people last weekend, and cast six improvisers to join the Seattle Theatresports ensemble. There are far more than six great improvisers in Seattle, and there are always a lot of disappointed people. Many of the people we can’t take are friends, supporters, students, and people we want to see on our stage: either down the road in Theatresports, or in other shows.
I’ve been on the other side of the fence. I was rejected in my first audition for Theatresports, in 2007, after waiting over a year to audition. I was a strong students, and many people told me they thought I had a great chance. It was a pretty big letdown, and while I stuck with it, I remember having a nervous two weeks waiting to hear, and another lousy two weeks after hearing “no”.
Anyway, I like to eavesdrop auditioners’ feedback about the process, as well as what people think about before and after auditions, and I thought I’d talk about some common misconceptions that I don’t think are helpful, now that I’ve seen the other side of the fence a few times. I’m going to talk about our ensemble, but I suspect much of this applies to most professional improv groups: at least those in cities where politics and “who-you-know” hold sway. All of this is my own, personal opinion, and doesn’t necessarily reflect the opinions of my theater.